![]() Entertainment Weekly also panned the album, stating that it features "some of the weakest rhymes and derivative white-bread dub in recent memory" and concluded that the band did not know "the thin line between experimentation and self-indulgence". Rolling Stone criticized the album, saying it was "trying too hard to expand their sonic horizons", and commented how they seem to unwillingly change their musical style. In contrast, the album was retrospectively received positively by Consequence of Sound, comparing it to The Beatles' album Sgt. Commenting that "the singles aren't what make Transistor great. It's the deep cuts that you play over and over again, trying to catch the meaning", they conclude that the album is "one of a kind". Over time, Transistor has developed a cult following and become a fan favorite, eventually leading to the band performing the album in its entirety on Augin front of over 10,000 fans. "Grifter (The music of this song turned into "Long For The Flowers" on the album " Don't Tread On Me" released in 2005, the original demo version leaked during the DTOM sessions)" "Stealing Happy Hours": Hexum "Enter Space": Instrumental "Stealing Happy Hours" (contains hidden track "Enter Space") "Transistor Intro" (Hidden track that can be accessed by rewinding from the index of the first track by 1:36) This was done at their very own Pow Wow Festival, created to commemorate the 14th anniversary of the album. SA Martinez – vocals (lead vocals on tracks 2, 3, 5, 8, 10-12, 15, 16, 18, 20, "Gap", "Grifter", "Everything", "The Quickening", "Writer's Block Party", "Earth People"), scratches.Nick Hexum – vocals (lead vocals on tracks 1, 2, 4, 6-9, 11, 14, 17-21, "Gap", "Grifter", "Writer's Block Party","Lemming"), guitar, programming."(White Man) In Hammersmith Palais" ( The Clash cover) (Appears on Burning London: The Clash Tribute)Ĭredits adapted from album’s liner notes. #311 transistor album cover professional.
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